Posts Tagged ‘YouTube’

The SOPA is a thinly-veiled attempt to seize control of the Internet

Wednesday, November 23rd, 2011

Here’s a sentence I never thought I’d write: America is considering following China’s lead and debating over new legislation that will give the US government power to block websites at will. Now before you throw out poorly researched Nineteen Eighty-Four references that would make Orwell rise from the dead just to slap you, read these words very carefully: this is not an attempt to quash free speech. At least, that’s not what this bill pertains to, but the implications of it are far-reaching and, as much as I hate to dust off a journalistic chestnut, the Orwellian censorship scenario is not impossible.

The ‘Stop Online Piracy Act’ (SOPA) is ostensibly a measure being brought in to stamp out piracy, copyright infringement and theft of intellectual property. The problem is, as I will come to explain, the measures they want to implement in order to do so seem, to my computer scientist nouse, like overkill. In a nutshell, the bill extends the definition of illegal file-sharing to include sites that provide links to third-party sites that host copyrighted video, images and the like. Previously, these sites were protected on the basis that they themselves didn’t deliver the material and simply acted as a middleman between the users and the files, usually hosted on open file-sharing sites like Megaupload and Rapidshare; though this rule did not prevent the conviction of the founders of The Pirate Bay in 2009. For any of these sites in the US, a court order can be brought against them that would obligate them to cease all illegal activities. However, so-called ‘rogue sites’ that operate in other countries are, by definition, outside of US jurisdiction and thus requesting a court order would be an ineffectual (and poorly thought-out) action. Though the US is powerless to stop these sites, the new legislation will make it possible for copyright holders to request, and give the government the power to ensure, that all access to the site within the US be blocked through removing it from DNS servers.

DNS (Domain Name System) servers contain what is essentially a list of every registered domain on the Internet, there are many DNS servers across the world that contain identical lists. It is the first port of call for your web browser when you type in a website address as it matches the domain name you’ve entered to the IP address where the webpage itself is held. Under this new bill, websites found to be in violation of this can be removed from all American DNS listings or blocked from resolving, just as the so-called ‘Great Firewall of China’. Technically speaking, a DNS block is not a difficult thing to circumvent, but doing so requires a small degree of technical know-how (or an impressive memory for IP addresses) and would constitute a criminal offence.

Unsurprisingly, this bill has the full support of a myriad of film and television groups, for whom money made from selling pieces of plastic or downloads for extortionate prices is their living. I’m certainly not trying to say that these people don’t deserve to be paid for their good work, but that’s the point: their good work. Through piracy, I discovered the early episodes of The Big Bang Theory and become an instant fan; I pirate episodes because I don’t want to wait for their episodes to be shipped over here and clunkily strapped into 4oD, but I own every available season on DVD. Similarly, through piracy I caught the first few episodes of True Blood, found it to be incredibly trite and haven’t bothered with it at all since. I, as the consumer, shouldn’t be expected to sink cold, hard cash into shows that are utter tosh just for the sake of finding that out.

Opposed to the bill is practically every Internet company you could name. As the legislation also requires US companies to cease any advertising networks with that site (such as via Google’s Adsense program), strike them from search engines and exact what basically amounts to a cyber-blockade upon them. This represents a lot of cost, legal concerns and work for these companies solely to protect the interests of another industry. In a letter to the US Senate and House of Representatives, companies like Google, Facebook, Twitter and others wrote that the bill is “a serious risk to our industry’s continued track record of innovation and job creation, as well as to our nation’s cybersecurity.”

Bloggers, owners of independent websites and other Web users are understandably also opposing the bill. Video-sharing site YouTube has something of a trigger-happy attitude when it comes to claims of copyright infringement, wherein the offending video is automatically taken down until the uploader (the accused, not the accuser) has proven either legal right to the footage or show that copyrighted material has been used in conjunction with the ‘Fair Use’ clause of the Digital Millenium Copyright Act. In most cases, use of copyrighted material can be justified if clips are used for the purposes of comment or criticism. Independent sites that reviews films, for example, may use clips from the source material spliced in. Though this would fall under ‘Fair Use’, if a similar “shoot first, ask questions later” attitude is adopted whenever a film studio cries wolf, it could lead to exhaustive legal battles, massive financial impact and loss of livelihood. Yet, the film studio will lose nothing from making a claim, the defendant stands to lose a great deal even if innocent. If YouTube, in order to keep the film industry lawyers at bay, will enforce a policy of ‘guilty until proven innocent’, then how can independents hope to grow or compete if this is the attitude of the governance in the Internet at large?

The film and television industries persist in their failure to understand that one pirated movie does not equate to one lost sale. The Internet has introduced a system of try-before-you-buy, in which the consumer can see if the show or movie is actually worth investing in. In the Information Age, their business model is antiquated and should be subject to the adapt-or-die rule, but due to the amount of money this industry has, the powers that be are bending over backwards to appease it. They must realise that piracy actively helps their industry, it encourages people to watch new shows that they may’ve missed on television, potentially become a fan and buy more episodes, DVDs and whatever cheap merchandising has been squeezed out of the show. What’s more, it creates competition and sets the bar higher for quality, as the show now has to sell itself to an audience with far more choice

If you want to extrapolate the idea of a Government having the power to block websites further, you inevitably face the prospect that this bill may be the first nail in the coffin of free speech on the Internet. This bill will set a precedence that says it’s fine for governments to block websites for any contrived reason when the one with the most money says it should. We cannot allow this, the line must be drawn.

Self-Promotion 2: Still no shame!

Wednesday, July 28th, 2010

Hello, I don’t know if I have done any shameless self-promotion on here before, but knowing me it is quite likely.

Nonetheless, as I mentioned briefly in my last post, I am currently working at CNET UK as an intern.

Here’s a link to my first article to be put on the sight. Enjoy!

Snake Game Hidden in YouTube: Procrastiantion Squared!

Digital Britain: Heil Geffen!

Sunday, April 25th, 2010

Well, it’s happened – our quaint analogue Britain, full of steam trains and paper books and casette tapes, has made the switchover. We are now, and forever, a Digital Britain.

The Digital Economy Bill has been floating around for some time now, but really gained momentum when Business Secretary and Demon Headmaster lookalike Lord Peter Mandelson got involved, fresh from a totally unrelated trip with, and courtesy of, music industry tycoon David Geffen. However, after much controversy, the Bill has been developed and passed, at a much faster pace than most bills of this nature are, following closely on the heels of Gordon Brown’s announcement of a May 6th election. The dissolution of parliament that precedes a general election, which began on Monday 12th April, means that, unless they did it now, there wouldn’t be a chance to pass the bill until after the election, by which time there could be a new government which may look less kindly on a mostly Labour-backed proposal. This was, quite literally, Labour’s last chance to fuck things up before their, I feel, inevitable defeat at the polls next month, considering that it remains to be seen if the new conservative undetermined ruling party will bother to remove the freshly passed bill when, I’ll freely admit, they have more important things to fix after a turbulent 13 year shit storm run under Labour. To illustrate just how rushed and disorganised this bill was, the debate that preceded the passing of the bill was attended by a meagre 5% of MPs – good to know they’re working for us rather than cleaning out their moats.

The sun is setting on Labour's shit storm

The Digital Economy bill, among other things, essentially gives copyright holders (for example, music labels) the right to anonymous lists of suspected filesharers from ISPs and, if the copyright holder so wishes, get the ISP to send out letters to these customers asking them to stop downloading illegally. If the “offender” continues, record labels can, through a court order, request their name and address from the ISP. Overly persistent “offenders” can get their internet connections choked and/or cut off (the ISPs get fined for not doing so, I gather they’ll end up being quite trigger happy just to cover their own arses). As usual, you have the right to appeal, but I anticipate it’ll be an unnecessarily complex process that many simply won’t bother with.

As all preceding events surrounding this bill, it shows, if nothing else, the government’s complete lack of knowledge about technology; ignoring all manner of technical wizardry that can mask actual “offenders” and pass the blame onto an innocent party, check for unsecured WiFi connections in any urban area and you’ll quickly see what I mean. If your IP address is linked to counts of illegal filesharing, the person who owns that internet connection is responsible, with no accounting for the person who actually commited the offence, which is a problem for anyone lacking the technical knowledge to secure their networks – hopefully something internet security firms will be keen to promote over the next few months (at great financial benefit to them I might add). For this, and so many other reasons, this bill is entirely biased against internet users and dedicated in near totality towards protecting the interests of the music industry.

I am not opposed to these laws because they’re anti-filesharing (though I concede that’s a pretty big part of it), but mainly because this bill has been introduced specifically because of the influence of those with the most money – the music industry – and is entirely about benefiting them rather than any sort of level ground. Obviously, filesharing is illegal – but I hate that these laws will mean that people can be labelled as criminals for something so mindlessly small. In any other circumstances, the copyright holders would be told to take their case up with lawyers, but for some reason the government is getting involved – I’m not suggesting (because I can’t) that any bribery took place, but I feel as though money may’ve been an influence, even if it never passed hands.

I’d hoped, when I first heard about this bill, that it may be the lesser of two evils – with there being concrete and clear laws on filesharing, we can prevent another Jammie Thomas incident, a woman who was fined $1.92 million by record labels for downloading 24 songs, a meagre number by most filesharer standards. However, the moment there was talk of cutting off internet connections, something which is both unfair and nigh-on impossible to properly impose, it became clear that this was not for our benefit.

Another shocking addition to the bill, one which I was convinced would be pulled, is the right of Lord Mandelson to block access to websites who are likely to be used for, or in connection with, illegal filesharing. This is a kick in the balls for video sharing site YouTube, of which there are probably more copyrighted videos than original ones – but don’t hope that the government makes an exception for YouTube, because if they do then by what criteria are they doing so? Because they’re bigger than the others? Well that’s smashing, and oddly reflective of this bill, but if they do so then they can justify blocking and allowing any site on the same grounds – then what you’re left with isn’t the Internet as we’ve known it, it’s simply another list of government moderated and approved content.

If Labour remain in power, or more specifically if Peter Mandelson remains Business Secretary (he’s been sacked from every other position he’s ever held, except bending over for the music industry), then this bill – sorry, I mean act now – is simply the first step in a much bigger re-invention of the Internet. What started out as an independent, fair and open media has gradually degenerated into a culture of monopoly (Google), profiteering and, as we now see, corruption; holding a mirror up to western society. Labour’s party slogan is “A fair future for all” – my arse!

If you want a vision of the future, imagine Peter Mandelson’s boot stamping on a face, whist giving David Geffen a hand-job — forever.

Makeshift Kangaroo

Thursday, October 15th, 2009

Hi all, I’m writing this in the peaceful serenity and serene peacefulness of the Reading University campus (and using their wifi) because I can, frankly. If you are aware of the problems of accessing my main .com blog from universities, then you’ll understand why this post won’t appear on that site until I return to my flat. I’m returning to Horsham this weekend just for a visit so perhaps I’ll stumble upon the solution there.

I read a news story not one hour ago, regarding Channel 4 (a broadcasting company in the UK) and their deal with Google to provide full television shows and content on YouTube, probably ad-supported (much like the channel itself). Like all the major broadcasters in the UK, they have their own Video-on-Demand (VoD) service online with which they stream full shows (with interspliced short ad-breaks). The big difference between this channel’s VoD and the one run by the BBC, the iPlayer, is that television shows are available from the time they were broadcast and remain (supposedly) available indefinetely, whereas the iPlayer streams programmes for a limited time after initial broadcast, most of the time one week.

For a bit more background, there was a recent project between the aforementioned British broadcasters to provide a single, universal VoD service that would stream all the broadcaster’s content (details are sketchy) in one place. The project was codenamed Project Kangaroo and came to an untimely end when the Competition Commission deemed that a universal service run by all the broadcasters could be “too powerful” and expressed fears that the service could “hurt competition”. The project was ended but subsequently bought by another company in July who said they would launch in the coming months, no such development appeared and there was no indication of how the formal blocks imposed on the project by the CC would be dealt with.

Do you see where I’m going with this?

I heard about Kangaroo when it was in it’s initial stages and was excited by it, as a teenager I watch a lot of TV but socialise, meaning that it’s a pain to have to keep switching between websites and services to get the show I’m looking for when I miss something. The idea of a universal service was delicious and it was disappointing to hear of it’s blockage. But if Channel 4 are willing, and (thanks to Google, only time you’ll hear me say that) able, to put their entire back-catalogue on YouTube, and will run in parallel with 4oD (their own catch-up website) to put new shows online shortly after broadcast, then doesn’t it follow that other broadcasters can to? What do we get then? Why, my friend, we have a universal platform for VoD!

Of course, there are problems to overcome. First, and foremost, the BBC will have to get off their license-fee-funded high horse and put their content on indefinetely (and backlog their old shows if they so choose), which will probably never happen, and then they have nothing to lose from putting the same content on YouTube as well. It wasn’t clear, while Project Kangaroo was still somewhere in the mist, how the Beeb were to run their online content with Kangaroo, given that Channel 4 would undoubtedly have their content on there permanentely and the BBC may not have agreed to do this also, but there is certainly the scope for them to do so which would be the way for the BBC to get full shows on YouTube. Once they’re on-board, it’s quite likely that the other main broadcasters (ITV, Five and Sky) would follow suit, and if they didn’t it wouldn’t really matter (all you’d really miss is Corrie, Neighbours, Gadget Show, Fifth Gear and Futurama). But if they did.

There you have it, a Video-on-Demand service on one univeral platform, which most internet users are familiar with and already know and love. This could be easily acheived without any discussion or deals between the main broadcasters themselves and all they would need is the go-ahead from YouTube (arguably a broadcaster in their own right). This would also avoid all the crap and red-tape from the Competition Commission as long as it’s only ever seen as several individual deals between the broadcasters and Google and never as a joint venture and be far easier to manage if it’s each channel working their own account on the Tube.

This would be the ultimate makeshift Project Kangaroo, and far more convenient than the travesty of watching the universal VoD service in the USA, Hulu, attempting to get it’s act together for a UK service (they were allowed in the US so presumebly avoid the bureaucracy here). It would be far more adaptable and keep up to date with changes on YouTube and with online video content delivery technology in general, without the BBC or any other channel having to shell out to beef up their technology.

Now I think about it, the BBC might as well opt to put their shows on YouTube, it’s mostly already pirated anyhow! Plus, if you don’t pay your license fee, though you can’t watch live tv, you are still allowed to watch BBC iPlayer, so there’s no loss of income by joining this than there is with just iPlayer on it’s own, in fact it’ll probably break up or share out the server demands on the BBC that ISPs are so pissed off about (yes, I know iPlayer is peer-to-peer but the point still stands) and reduce the BBC’s bandwidth cost considerably, so the Beeb could actually save money by doing this.

This is staring them in the face, why don’t they do it!

In other news, I finished The God Delusion the other day and have made a sizeable dent in The Great Gatsby. In any other context you probably wouldn’t consider 30 pages sizeable but given that Gatsby is only about 200 pages, small by most standards, it’s a respectable chunk. I’m hoping to finish it at the weekend to free up shelf space in my flat and add it to my shelf at home – I’m proud of that collection.

Speaking of awesome things, namely me, I was saved £30 today. When I was on the verge, indeed the very pinnacle, of buying Windows 7 Home Premium edition online using my Student Discount to get it cheap. I realised I had to go to my lecture where, talking to someone, I discovered that the University had an educational license to distribute Windows software for FREE. Better yet, it’s available now, so when I’m home for the weekend I will take advantage of the fast internet connection in comparison to here to download the installation file and upgrade my laptop (so I call it because I can upgrade without it deleting my files/programs). At home it will take hours, here it will take days, to download. Now all I need to do is work out how to uninstall my Windows 7 RC dual-boot install, presumebly I can delete the partition that has the OS installed on it but I’m worried it’ll screw up my boot menu that appears when i start up my laptop with which I select an OS installed on the hard drive (7/Vista). If anyone can help, let me know.

Oh and also does anyone know a good image host, I currently use turboimagehost to quickly put my images online so that I can embed or link them into blog posts but the one I use now is pretty unreliable (if you can’t see the picture of John Barrowman on my last post then it’s down again and my point is proven) so if anyone knows a similar but more efficient image host comment and let me know (I have flickr but it takes too long to sign in and I’d rather have a quick and easy one).

I’ve run out of sign off ideas! Goodbye!

3D: An in-depth review

Wednesday, August 5th, 2009

Sorry for the pun in the title, I couldn’t resist.

I’ve always loved 3D technology, it’s been around for more than 100 years so it’s near enough the steampunk of video, and every few years it’s revitalised and filmmakers have another crack at trying to ignite excitement in the old ways. 2009 is a landmark year for it’s advancement, with all major animation studios bringing out a new 3D movie, including Pixar’s ‘Up’ and Dreamwork’s ‘Monsters vs. Aliens’ but will this attempt to bring 3D into the modern age be successful?

There are a variety of ways that 3D works, the common feature in all is studios film two different views of the same thing (much how human eyes see objects), then the process that follow depend on the type of glasses that will be used. Some flick the view from each lense on and off continuously so that the eyes keep seeing two different aspects which the eyes will translate into one image and thus 3D. Other ways, including the one I used for my test, include colourising each view if the glasses have certain colours (such as my test glasses, pictured) which used a red/cyan setup. In the latter example, the colour of one aspect is washed out by the lens so that the viewer sees two slightly different views in either eye, again translated into one image by the brain.

The technology aside, it’s application in our everyday lives as much as TV and film is now is a point of consideration. This technology has been around for so long yet never been taken mainstream on a regular series of movies. In the past decade, any 3D movie has been either kids films with a lot of (or even consisting entirely of) CGI backgrounds or animations, other than ‘My Bloody Valentine 3D’ which was released last year with a barrage of grizzly horror in 3D. Perhaps then, the advancement of such digital technology will allow filmmakers to perfect the art of 3D film, the problem then is focusing too much on showing off the technology rather than story, worsened by the cost of making such a film.

Sky recently announced that they would try and take 3D technology to mainstream television with their subscription service and their own (and other) channels as they did with HDTV over the past few years. The problem is that a lot of television programmes, particularly ones on channels that will be the quickest to join this like the BBC, have no call for their shows to be in 3D. Who would want to watch Eastenders in 3D? Also, what does this mean for HD, a newly introduced and somewhat luxury television product becomes almost at odds with this new “format”. Sure they can give you 3D in High Definition, but what sort of technology and costs is that going to incur, and will anyone actually care enough to pay for it? When I was testing 3D content (I rented a godawful kids movie that was made in 3D) I found that quality, and certainly colour, was badly affected when watching in 3D, and the view was far from perfect. Most commonly, objects in the far background became blurry and objects in the close foreground were too difficult for my eyes (with their immaculate 20:20 vision) to focus on and so the two different images became just two different images. Only images that were, for lack of a better word, in the middle of the action were clearly visible AND 3D, which gave a horribly pointless view that simply looks like an image on a card that’s been pushed out in places to give it a 3D effect and doesn’t look in anyway realistic. The effect of having only visible things in the middle makes the whole point of 3D redundant, as filmmakers love to show it off and have objects seem to come out at you, but when you consider that by the time it gets close enough to take it realistically and be fooled, it’s split out into two blurred images and loses it’s threat quite quickly.

The barrage of problems continue when you consider that for the casual TV watcher won’t want to have to stick on a pair of glasses just to watch TV, meaning that Sky will probably introduce this as a premium package as I have mentioned, which itself will be it’s downfall as no-one will pay for this or want to stick on headache inducing glasses (the distribution and maintenance of these will be tricky, though not impossible for Sky) and have to be constantly focusing their eyes on different objects, particularly when fast-action stuff keeps cutting shots very quickly and disorientates the viewer. The glasses are, indeed, 3D’s most debilitating factor and there is no way of getting 3D to work without them, unless you get a viewer to keep blinking each eye in rapid succession, something which kinda detracts from watching the film. Granted, over the years they’ve become a lot less nineteen-eighties, though the resurgence of the Buddy Holly shades look may help, and (in the case of gaming, see below) even become cool, but they still greatly effect the casual viewers ability to watch a show comfortably. Interestingly, the test pair of glasses I was using (pictured) meant that whenever I took them off, closing one eye gave everything a red tinge and closing the other gave a blue tinge for a brief time (that wore off thank god) and I couldn’t watch more than 20 minutes of the film before the eye strain and a minor headache forced me to take a break.

Having said that, 3D gaming has become quite successful, mainly through NVidia’s technology making pre-existing games into 3D instead of releasing a limited number of games themselves which will be expanded too late to interest the public. But then again, gamers traditionally want the most immersive experience from their games and would welcome this, where the average TV viewer has little need or want for a more in-depth view of Anne Robinson, but does that mean that they might want 3D when it’s used in the right places, such as feature films? I would love to see The Dark Knight in 3D simply because how epic the action is (if you ignore, for the moment, the criticisms of cutting shots) but I don’t give a shit if I see the Queen Vic in 3D because the whole point of it is the story. The Dark Knight is about the story, unfortunately it was a kack story so the visuals are begging for 3D.

Web content is an entirely different matter. Minoru have just bought out a 3D webcam that has two different camera’s mounted on a set that records two different views and stiches them together into one on the fly. But at the moment this product is completely useless unless one distributes 3D glasses to their friends, which is a bit excessive just to turn it on, wave your hands around and point your finger at the screen for a moment and then get bored. It costs £40 but you’d get bored of it in 40 seconds. YouTube have been testing out 3D content on their videos and some users have even set up their own 3D recording system and made videos of their own (my favourite one is embedded below)……

[youtube=http://www.youtube.com/watch?v=-RKI0mtedZw&hl=en&fs=1&color1=0x234900&color2=0x4e9e00]

…but in the most part, it’s not really necessary other than to have hands waving around at you in a slightly more realistic way than HD, the novelty of which will wear off fast.

Perhaps then, if applied in the right places and using the correct technology, it can be a very good feature, but the fact remains that it’s mostly a gimmick used by filmmakers of films that might not be successful without a gimmick like this, hence why only kids and horror films have used it in the past ten years. Gamers and horror fans like the idea of a more immersive experience and kids like the idea of it, and certainly in the kids films does the story require such a hook as this. Consider that history has shown 3D going mainstream to have failed at least 3 times in the past, but as technology advances it can improve the way that 3D is conducted and hopefully we will stumble upon a way to I remember saying a few years ago that HD was pointless, nobody would pay for it and I saw no difference, and I was wrong. So perhaps, and I really hope, that I will be wrong again, but it has a LONG way to go before anyone will take 3D in mainstream media seriously. Staying in the realms it currently inhabits may be the best way for it to slowly become more and more featured, but it will certainly never become the standard way of broadcasting on ANY television channel or media.